Tuesday, March 16, 2010

(I)Black and White Photography: Capella Tower and B/W Adjustment Layer Tricks

November 14, 2009 by Alec  
Filed under Landscapes

capellaToday’s image is from a recently completed commercial shoot of the Capella Tower, downtown Minneapolis, MN.  The management claims its the tallest skyscraper in Minneapolis by 1 foot, towering over the IDS building.

After completing my work in color for the client, I decided to play around with the image in black and white.  Its MUCH different in black and white, especially with the treatment I used which I’ll share with you.

I used two adjustment layers and the first one is not intuitive, but a process I’ve started using more often because I really like the look.  So, here it is:

1) On top of the background layer I added a Black and White adjustment layer, BUT I changed the adjustment layer blending mode to “Multiply.”  You can experiment with different blending modes and just doing this can give a great effect to the color version of the image.

2) On top of that I added a second Black and White adjustment layer and worked the colors until I had what I wanted.

Simple.  Play with blending modes on a Black and White adjustment layer.  You’ll be very surprised with the results.

Cheers,

Alec

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Comments

8 Responses to “(I)Black and White Photography: Capella Tower and B/W Adjustment Layer Tricks”
  1. Travis says:

    Alec,

    Excellent image, thanks for the tip! Gotham City!

    Travis

  2. Kevin Hawkins says:

    When I click on “multiply”, the color comes back. It’s much darker than before, but it’s there. Does that sound right?

  3. Shea says:

    Alec,

    This is an awesome photograph! I see this everyday while walking to and from work.

    I’m curious though…

    1) What building/floor were you in when you took this?
    2) Are you able to share the color version as well? Just curious to compare the two.

    • Alec says:

      Hey Shea!

      Thanks for stopping by and the kind words.

      1) I’m actually on the very top of Accenture in morning twilight. I got up there while it was still pitch dark;
      2) I don’t want to post the color image until the client has received it. Then I can. There is a big difference though. In the color version its hard to detect nearly that much detail in the sky. The b/w treatment brought it out big time. The two images read very differently. Hopefully I can post it soon.

      Cheers,
      Alec

  4. Amy says:

    Wow – the tonal range and perspective are awesome! Thanks for sharing this technique!

    I think because it’s in B/W, the image reminds me of early Futurist architectural drawings from the 1910-1930s.

    • Alec says:

      Hi Amy,

      Thanks for stopping by and for the comments. I too was pleasantly surprised by the effect. I’ve definitely made not of the original color palate and this process for future images.

      Cheers,
      Alec

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