Studio Fashion Shoot
Last Saturday was a great day; It was one of the few fashion shoots I attempt and despite all the controversy and criticism surrounding fashion photography, it still feels like the most difficult work I’ve attempted and some of the greatest fun. Maybe the fun had less to do with it being a fashion shoot and more to do with the day, the people, the energy of the shoot.
I’ve heard two commercial fashion photographers speak recently about the importance of the right team in having a successful shoot. I have a pretty good sense of what that means and there certainly is more control over picking your team when you’re paying them to work. When you’re asking everyone to work for free, well hell, you kinda take what you get, right? I must be blessed, though. My “take what I can get” team was amazing.
Elmira Lilic – The Model: A successful model and international finance expert with Wells Fargo Bank. She and I had communicated via Facebook and finally met face to face to work out the shoot. Immediately I felt a good vibe, not only with her, but with her boyfriend Kelvin. Elmira had total buy in to the shoot, literally. She came armed with $3000 worth of clothes and accessories for the shoot (I hope she didn’t loose any receipts:)) which gave us a great deal of flexibility.
Kelvin – The boyfriend: Professor, jazz pianist and all around great guy. He came to the shoot and provided some wonderful live jazz piano (there is a piano in my studio) while we worked. He was also kind enough to get the team coffee and some cake.
Chet and Amy – The Assistants: Using the word “assistants” is a little insulting, insomuch as they are both great photogs in their own right and generous to a fault. I can tell you that the shoot would not have happened without them, their attitude and natural abilities.
Oskar Ly – professional makeup and hair: Seriously, some of you have been on shoots of mine with really unprofessioinal professionals. Oskar was the antithesis. Amazing work, great energy and personality and very generous with her time.
So the team was really really strong and the only weak link was the photog….I mean this with all sincerity and I’m not fishing for anything here. This type of photography is very difficult to do well, at least in the way I define success. I pretty much missed most of my goals for the shoot and became painfully aware of how I naturally work in these situations. I learned a great deal from it and have a greater appreciation of the folks who do it well. I’ll be taking a two day fashion photography workshop this February in Los Angeles. I now have a long list of questions for the instructor!!!!!
So on with the images. I hope you enjoy them. Remember you can click on any image to see a larger version.
![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_e.png?x-id=5bc24d8f-7f92-455c-b40c-fa032cbe9f1c)
Related posts:
It’s always a privilege to work with you Alec, and part of that comes from feeling like we’re learning and discovering things together.
My take home from Saturday is how many variables there are to balance, and details to attend to, especially with these high tone kind of shots. Now I know why film credits go on and on – it takes many eyes and wits to make sure everything is tight!
Prints #9 and #13 are my favorites
AJ,
Wish I could have been in town for this shoot as it sounds like you learned quite a bit. I am really enjoying the black and white images above (especially print 7 and print 9). I share Amy’s opinion on print #13; one of my favorites. Elmira has some very striking features that I am really loving in the BW treatments. Thank you for being honest and forthright about your experience. It helps to know that even when you are as accomplished as you are in this industry, you still struggle and are constantly learning. It helps me have the courage to do the same.
KG